Gig Guide

Culture Recovery Fund Announcement

We’re delighted to announce that The Crypt (Jazz Umbrella) has been awarded a grant from the Culture Recovery Fund which will keep the venue viable until we are able to resume our programme of groundbreaking live jazz concerts and events.

In the meantime we're looking forward to being able to host band rehearsals, community events and art exhibitions in our Covid-secure space until live music is able to return to The Crypt again.

Massive thanks to the wonderful team at the Music Venues Alliance / MVT for supporting us throughout the application process.

We’re grateful to DCMS and Arts Council England for their amazing work in delivering this fund to help support the arts in this difficult time. #HereForCulture #SaveOurVenues

Look out in the coming days for further details of what this means for The Crypt or join our mailing list below.

20Oct
2020

25 Years of Jazzlive at The Crypt

On the 20th October 1995 - 25 years ago today as I write this, Jazzlive at The Crypt opened its doors for the first time

Half an hour before we opened, I emerged from the crypt out in to the dusky autumn evening and surveilled the excited waiting crowd. The queue snaked all the way from the front porch, along the church drive and onto Camberwell Church Street. Looking along the line, I recognised many of the faces, friends new and old, and there were many people I didn’t know. I remember feeling very apprehensive about how it would all work out. I wasn’t even sure we’d open on time. I’d just come upstairs following a chat with the builders; I’d pointed out to them that the cubicles for the gents WCs had not been erected yet and that the pile of rubble sitting in the middle of the main floor hadn’t been bagged up and disposed of.

“We open in 20 minutes” I said.

“Don’t worry Russ, we’ll have it sorted”, Tony the plumber replied. We did open on time!

25 years seems like a long time

For a grassroots jazz club to survive that long is an important achievement, but for me that opening day seems like it happened yesterday, it’s been so much fun. But time has moved on. I am the last one of the original founding team to still be involved. Rodney Bomford, Les Alden, Mel Occomore and I were the founders. Rodney (who was the vicar then) retired years ago to the south-west, Mel (my older brother) relocated to the north-east, and Les (long-time friend and church warden then) retired to the south but sadly passed away at the beginning of this year following a short illness. The club idea came about to raise funds needed for the upkeep of the church building. The spire of the building was at risk of falling over and needed substantial renovation work. The club would be one of the ways in which we could raise money to add to the fund to save this important building.

None of us had embarked on such a project before. We had zero experience of running a venue or of staging events. Les and I talked about it being a jazz club. It was music that we both loved and there was very little live jazz music being played in or around Camberwell at that time. St. Giles Jazz Club was born. We all had our own ideas of what a jazz club could and should be. It was our mix of talents, and our shared ambitions that made the jazz club happen and thrive. We easily reached our funding target. Who would have thought that a local project with such modest ambitions would flower into the club we know and love today?

People

I could write much more about my memories of The Crypt, having so many. I’ve met some great people, people with amazing talents and dedication to their arts (such as Tony Kofi who features in the accompanying film clip). People who have influenced, inspired and changed my life. I am indebted to you all.

One of the benefits of having a 25 year old club is that you get to have the long view on what has happened with the jazz scene and what is coming down the pipeline. Looking ahead, post-Covid, I am optimistic and I’m very pleased at what I see. There's such good talent out there.

I want to highlight the contributions of Matthew Maddigan for bringing the Electronic Music Night to the Crypt, and of Arnaud Guichard for developing the jam sessions.

Celebrating 25 years

We had been planning a series of concerts and events to mark this important landmark in the evolution of our beloved jazz club. And then the news of COVID hit at the beginning of the year. We immediately realised what this would mean for the club, and for our anniversary celebrations. Within weeks we were closed as the country went into lockdown and the club is yet to reopen. Last week we were pleased to have received vital grant money from the government’s Culture Recovery Fund which will keep us solvent until the spring. And we are working on reshaping our business model to make us even more resilient going forward into next year and to ensure that we can reopen the club safely as soon as possible. More details about our plans will appear soon.

So our celebrations are on hold for now. We will celebrate with you all properly as soon as we can. It will happen.

Thanks

Before I conclude, I must acknowledge some key people involved today. Thank you Winston Skerritt, Jonny Philips and Simon Fernsby for doing what you do so well in the name of the club. You are very much appreciated and valued by us all and by the wider jazz scene.

Special thanks to Mary Devlin who has been the most effective club manager we’ve ever had. You get what The Crypt is about and get on with it. Your countless innovations have been transformative and your staff management skills are second to none.

A big thank you to Pete Watson who believed in the project from early on and spent a considerable amount of his time managing many aspects of the venue for many years.

Leon, our door supervisor, has been with the club since the start, we are indebted to him for his long and ever-cheerful service. All of our staff help to make the club what it is today, and we look forward to having Matthew and Kojo back in the bar making drinks better than their jokes, and all the other fantastic and energetic bar staff we have had. Ayako with her delicious food menu and tireless energy, and Peter on the door who welcomes every guest with a smile.

And lastly, a big thank you to all our customers for supporting us from day one and for bearing with us in these difficult times. Roll on another 25 years!

Best

Russell and the Jazzlive Team

Photo by Daniel Devlin of ‘New Jazz Extempore’ performing at JazzLive at The Crypt back in September 2019 (Featured Andrea Vicari – Piano, Yazz Ahmed – Trumpet, Rosa Brunello – Bass, Alba Nacinović – Vocals, Dave Hamblett – Drums)